All clips in this reel are shot by me. The associated full-length project videos (below) occasionally have shots in them from second shooters gathering additional and/or alternate shots (i.e. seeing as I always shoot weddings with two or more shooters for the best coverage). 

I have been shooting almost exclusively on the Sony A7Sii and DJI Mavic Pro throughout the last few years. Everything in the Demo Reel was shot on one of the two. Nearly every shot was recorded in S-LOG or D-LOG and graded in post for maximum flexibility. I recently began shooting with colour profiles that have more contrast due to the lower bitrates of prosumer cameras and have also begun shooting on Canon cameras once again because of their ease of just “getting the shot”.

Adobe’s Premiere Pro and Davinci Resolve are used for both editing and colour grading, depending on projects and their workflows. For projects with quick turnaround times, I mostly work entirely inside Adobe Creative Cloud’s ecosystem because of Dynamic Link’s convenience (especially between AE and PR). 

There is no better software for colour grading than Davinci Resolve – it’s amazing! I’ve been using it over the last three years and introduced into my professional workflow in 2018. Because of its rapid development and constant improvements, I’m finding myself use it more for both Editing and Colour Grading entire projects from start to finish. The best example of a project done almost entirely within Resolve (except for some After Effects comps) is my production for Robarts Research Institute (shown below). 

My VFX and motion graphics are whipped up in After Effects, Photoshop, and Illustrator — again, depending on projects’ needs.